![]() ![]() The hard stops can be attached to either size hand-wheel, positioned independently anywhere along its circumference, then locked in place. You do not want to find yourself suddenly unprepared for the next take when the AD shouts, “picture’s up!”īright Tangerine solves this problem quite smartly with their Hard Stop Pack included as part of this kit. This makes it easy to lose the indexing with your marking ring by rotating the hand-wheel past the end of the near or far focus limit. Still LensesĪside from the short focus rotation, one of the biggest obstacles to using still lenses with a follow focus is their lack of hard stops at either end of the focus range. A small hand-wheel is also available, measuring roughly 3.5 inches in diameter. Industry standard, detachable marking discs can be pre-indexed to specific lenses and snapped on and off with lens changes.Īvailable accessories including a hand-wheel extension, speed crank, flexible whip, a reversing gear, and a flashlight holster. The gripping surface is textured with high quality rubber and feels almost luxurious to the touch. ![]() The hand-wheel, which measures a bit over four inches in diameter, can be mounted on either the left or right side of the core bridge. I was tempted by several of the less expensive manufacturers whose systems could do everything I needed, but my lack of familiarity and the mixed reviews left me concerned that I might come to regret that choice. Newer to the follow focus game, OConnor’s gear seemed very promising, but a bit over my budget. Having a well built, double-sided, modular, and most importantly, smooth and backlash free follow focus was high on my list of priorities.Īrri and Chrosziel were familiar and obvious choices. Bright Tangerine Revolvr Follow FocusĪ poor quality or sloppy follow focus unit can make getting crisp focus pulls and rack focus shots nearly impossible. As I pored over the available gear I had one overriding intention, to obtain the traditional, high quality feel and workhorse durability of the equipment to which I had become accustomed, and not go broke in the process. So when it came time to outfit my own digital cinema camera, the choices were numerous and a bit overwhelming. A dizzying array of paradigm busting, line blurring cameras, support equipment, software, and accessories have entered the market, with as many new manufacturers. Digital cinema has given filmmakers of almost any financial means the ability to create high quality images. To say things have changed a bit would be a gross understatement. And as long as everything was well maintained, you could count on it all working together perfectly, every time. The equipment was invariably high quality, expensive, and supplied by just a handful of manufacturers. The same went for accessories: lenses, tripods, fluid and gear heads, matte boxes, follow focus units, all came as part of the rental package. For all intents and purposes cameras were rented, period. Even the less popular brands, Moviecam or Aaton for example, were no less costly. ![]() You could buy a complete 35mm Arri package, for somewhere in the six figures, so they were mainly purchased by rental houses. Panavision and Arriflex supplied most of the cameras and Panavision didn’t and still doesn’t sell equipment - you could only rent. At the time, all theatrical features and most episodic television was shot on film. Combine that with unparalleled level of Bright Tangerine support, and your LeftField Sony VENICE 2 System becomes the most reliable and hard-working partnership that any filmmaker could wish for.I began my career when filmmakers largely didn’t worry about buying camera equipment. Our engineering is focused on creating products that are both high-performance and enabled with a longer life of service. All of which play perfectly to the strengths of the Sony VENICE 2.Ībsolutely no compromise has been made in our manufacturing process. ![]() The kit is also compatible with the KASBAH shoulder support system with a range of hand grip options and shoulder pad for all-day comfort.Įvery part of the LeftField System is machined from single aluminium-alloy billets to create extremely rigid and light weight components. Multiple safety mechanisms have been integrated removing any chance of failure & accidents on set.Įach Base Kit comes with the Sliding Top Plate, Side Plates, Split Riser 15mm LWS Baseplate & Standard Top Handle. Reliability is a key factor for large productions. Time on set is critical, each part of the system has been designed for rapid changes in a safe manner with interchangeable dovetails that can be preconfigured. The cage provides an extremely rigid frame for rigging with helicoil reinforced mounting points, rosettes for handles & 15mm rod support for EVFs and focus motors. The LeftField System for the Sony VENICE 2 has been built to reliably deliver time after time. ![]()
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